An Introduction to the Parkside Kiosk

Discreetly standing amongst a tall set of structures is the PARKSIDE KIOSK designed by DSDHA by the Thames in London. The unique yet modest kiosk rests at one end of the strip of the landscaped area, on the axial pathway that cuts through the public space. It clearly stands out from the more modern and corporate larger developments that surround it from the western side. 
The design concept was based on innovation, sustainability and was a reaction to the historical past the site had gone through. This lead to the distinctness in both the materiality and the technique used to portray such a reaction.  



At first glance, the kiosk is hidden behind a thin layer of trees that camouflage it well within its context. Yet the closer one gets to it, the more comfortable one seems. The organic geological pattern of the façade is surprisingly tactile and welcoming yet equally intriguing and tough. 









                         Cafe at the opposite side of the Parkside Kiosk.
 
These images have been taken at different times during the day. Time has a great effect on the kiosk as well as the entire space surrounding it.
 
 
The Kiosk is in complete harmony with the floor covering, the dynamic lines seem to continue through the kiosk. The size and form of the roof create alot of shadow, especially during the day. The shadows exentuate the entire area around the structure. The Parkside Kiosk looks like a cave-like structure, coming out of the ground and sheltering those around it. The kiosk takes over another character as the light fades away. It appears to fade away in the darkness while the shadows of the larger buildings envelope it. The lights are positioned right above the ATM machines, pointing out their exact location. It is the only area that is functional at that time of the day. The entrance on the other hand, is completly uninviting and unwelcoming. Lights have been used to communicate with the people, directing them towards the kiosk and telling them how to relate to it.